12/3/2023 0 Comments 2 hearts movie review![]() Of all the memorable images that follow in this artfully splintered mosaic of grief and anguish, the sight of a small, red-jacketed figure darting through the city’s dimly lit streets will never leave you.īut Roeg’s movie isn’t the only memorable tale of troubled travelers looking for refuge in this city’s alleys and waterways. For many, the journey will begin and end with “Don’t Look Now” ( multiple platforms), Nicolas Roeg’s 1973 masterpiece of psychological horror, in which a grieving husband and wife (Donald Sutherland and Julie Christie) travel to Venice seeking temporary relief from tragedy. ![]() Matt Brennan Catch upĮverything you need to know about the film or TV series everyone’s talking aboutĮven if you aren’t able to see Kenneth Branagh’s gorgeously atmospheric “A Haunting in Venice” in theaters - and even if you were unable to attend the recently concluded 80th Venice International Film Festival - there are myriad opportunities to celebrate the rich cinematic legacy of this most magnificent of cities. Imagine if Pete Davidson and Chris Farley made a Peabody-worthy documentary about rampant fraud while smoking blunts and you have some sense of the tonal high-wire act the project pulls off with aplomb indeed, if form is function, there’s no better match for “Telemarketers’” examination of morally bankrupt 21st century America than a pair of pissant scumbags with a camcorder heroically stirring the corporate pot. In the process, the pair, aided by co-director (and Lipman-Stern’s cousin) Adam Bhala Lough, expose the involvement of state and local FOPs in the scheme, connect the scams to the rise of political robo-calls and indict government officials for failing to address the problem with adequate regulations for decades now. Pespas, his former colleague in a shady New Jersey call center that skims 90% off the top of donations to the Fraternal Order of Police, emerge here as born investigative journalists, calling charities for comment and confronting power players like Sen. Co-director Sam Lipman-Stern and true character Patrick J. If you, like me, are old enough to remember the “citizen journalism” discourse of the early aughts, you are sure to conclude “Telemarketers” (Max), HBO’s infuriating three-part docuseries, with the name of the movement’s Woodward and Bernstein on your lips. “If you’re starting to take offense,” she says, “just cross your arms.” - Robert Lloyd ![]() ![]() Some might find her reading of #MeToo, for example, a little … nuanced, or a little exaggerated, for their taste, but nuance is what makes comedy instructive, just as exaggeration makes it funny. Wolf’s CV includes writing for and appearing on “The Daily Show” and “Late Night with Seth Meyers,” her own single-season Netflix series, “The Break with Michelle Wolf” and the 2018 White House Correspondents dinner, where she famously joked about Press Secretary Sarah Sanders “burn[ing[ facts” and using the ash to create “a perfect smokey eye.” Playing to small venues in Madison, Wis., and Philadelphia, Wolf riffs on sex and beauty and privilege there is something at once abrasive and joyful in her performance. “Michelle Wolf: It’s Great to Be Here” (Netflix)Ĭurly-haired hand grenade Michelle Wolf has returned to Netflix with “It’s Great to Be Here,” a stand-up special presented in three episodes (and five parts), which she produced herself and licensed to the platform.
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